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To paraphrase Dante, quoted many times in case any slower readers have failed to grasp the origin of the quote, all Langdon needs to do is seek so that he may find. Of course, all will eventually be revealed. Also, there’s thousands of gallons of blood exploding out of shattered windows in a special effect that may beat, if only in volumetric terms, the bloody elevator shot in The Shining.
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Sienna helps him escape and as they head for her apartment, Langdon is beset by disturbing visions of people with twisted, tortured bodies, a mysterious woman wearing a face-concealing veil and a beefy man. Once more, Langdon is off on a dash around Europe with a younger woman ( Felicity Jones) by his side, this time using clues from Dante’s epic poem and various works of art to track down a deadly virus.
INFERNO DAN BROWN PELICULA CODE
Following up their adaptations of The Da Vinci Code and Angels & Demons, the team offers a third adaptation of one of Dan Brown’s treasure hunts, featuring Tom Hanks as art historian and cryptologist Robert Langdon.
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After the underperforming seafaring adventure In the Heart of the Sea and the offbeat Beatles documentary Eight Days a Week, director Ron Howard and producer Brian Grazer are back in their usual populist form with hot-footed thriller Inferno.